| Many classical Japanese martial
arts weapons were originally nothing more than simple makeshift
implements employed by commoners during the feudal era. Banned from
carrying the deadly samurai sword by law, feudal-era townsmen frequently
relied on alternative weapons for personal defense. This often included
the creative use of whatever common, everyday objects that could be
found at hand. Such items were often referred to as mijikimono, which
literally translates as "small, readily available objects."
Tobacco pipes, pot lids, and even decorative hairpins were occasionally
used for self-defense purposes.
Jujutsu
schools often employed the use of easily concealable weapons called
hibuki. Hibuki literally means "secret weapons" or
"hidden weapons." One of the more popular weapons was the
yawara-bo, sometimes referred to simply as yawara.

The basic yawara-bo.
The
first kanji character, yawara means "flexibility" or
"giving away." The same kanji character is also pronounced as
"ju" in terms like judo or jujutsu. Yawara was another early
reference to unarmed fighting styles such as jujutsu. The second kanji
character, bo simply means "stick." The yawara-bo was also
frequently referred to as tenouchi, which literally means something
"inside the hand."
Many
jujutsu styles taught both defensive and offensive techniques using the
yawara-bo, either as a primary weapon or to assist in throwing and
restraining a subject. Unlike many other classical martial arts weapons,
though, the yawara-bo has stood the test of time and is still as
versatile and as effective as it was centuries ago.
The
yawara-bo is basically a short wooden rod used as a hand load weapon
against sensitive nerve points on the opponent’s body or to block
strikes. Ranging from about six to eight inches long, the shaft is
frequently carved to better fit the user’s fingers and to improve the
grip. The yawara-bo is typically held in either hand, extending slightly
from both ends of the fist. The ends of the yawara-bo are then used to
strike or apply pressure to sensitive nerve points on an adversary’s
body referred to as kyusho, or "vital points."

The basic yawara-bo grip.
The yawara-bo is primarily used for uchi waza, or "striking
techniques," enhancing empty-handed blows, but it is also very
effective for uke waza, or "blocking techniques." The ends
concentrate the force of a strike into a single point. The yawara-bo can
thus be used for either painful blows to soft tissue areas or disabling
blows to an opponent's kyusho.
Simultaneous blocks and strikes to the arm muscles can immobilize the
limb, breaking an opponent’s hold or forcing them to drop a weapon.
Bicep, tricep, brachial artery on the inside of bicep, and the inner and
lower sides of the forearm are all highly effective target strikes for
the yawara-bo. A sharp strike to any bony area will generally discourage
most assailants. A harder, well-placed blow can easily break bones. |
|
The yawara-bo is also very
effective for tsuki waza, or "thrusting techniques." Thrusting
the yawara-bo into an attacker’s leg can instantly deter any kicks.
The opponent’s thigh, shin, and calf are all potential targets.
Stabbing into the femoral artery high on the inner thigh near the
opponent’s groin can collapse a leg very quickly for a takedown.
Muscle strikes can cause deep bruising and temporary usage loss to an
opponent’s limb. Strikes or thrusts may also be aimed at the front or
back of an opponent’s upper body to deter an attack. A hard thrust
with the yawara-bo to the opponent’s kidneys, ribs, or sternum will
stop most attackers and may also damage internal organs. Potentially
lethal targets include an adversary’s eyes, temples, throat, and the
base of the skull.
In addition to striking and stabbing techniques, the yawara-bo is
also very effective for applying compliance techniques against reluctant
subjects. The yawara-bo can be used in a variety of painful techniques.
Control is maintained as long as the technique is applied, but has no
lasting effects when released. This makes the yawara-bo a very effective
tool when the primary goal is subject compliance rather than inflicting
permanent injury.
Simply pressing the yawara-bo into nerve points like the mastoid
(cavity behind the ear), philtrum (base of nose), and jugular notch
(base of windpipe) is an effective method for controlling an opponent.
Other sensitive areas include an opponent’s ear lobe, sternum bone,
nostrils, etc. These points can be attacked from front or rear. Pressing
the ends or sides of the yawara-bo against these sensitive nerve points
is often a useful compliance technique when handling an unwilling
subject. If an attacker has seized an individual, the hold can also be
broken by pressing the yawara-bo into any of the nerve points, which can
be reached.
The yawara-bo offers added leverage in many osae waza, or "holding
techniques," as well as kansetsu waza, or "joint-locking
techniques." An opponent’s wrists, arms, and legs can be easily locked,
controlling even the largest opponent by using the leverage and pain created
by the yawara-bo to immobilize the adversary's limbs. The yawara-bo can be
employed to clamp either the radius and ulna bones of the wrist or the fingers
and thumbs. Pressing the point into the back of an adversary’s hand also
works well for control. Locking an opponent’s anklebone or shins with the
yawara-bo is also effective for a takedown or controlling technique.
In much the same way, the yawara-bo can be used to intensify shime waza, or
"choking techniques." The inflexibility of the wooden weapon serves
to increase pressure when applying either a choke or joint-lock, making the
respective technique more effective as well as more resistant to any escape
efforts.
Finally, the yawara-bo can be used to snag a subject’s limbs for
combination with nage waza, or "throwing techniques." Holding the
yawara-bo with a few inches protruding from the fist, the end can then hook a
part of an opponent’s body to gain control before throwing. An opponent’s
attack can be redirected by hooking and controlling the wrist. Likewise, an
opponent is easily pulled off-balanced by snagging the neck and forcing the
head down, backward, forward, or to either side. Once the opponent is
off-balanced, they are left extremely vulnerable to any number of throws. |