| During the Tokugawa Period in
Japan, most actual police patrol duties were performed by low-ranked
samurai called doshin and their non-samurai assistants. Full-time
assistants were called komono. There were also part-time assistants
called goyoukiki who often made their living working in other jobs as
well, either as craftsmen or laborers. The doshin also employed a number
of unofficial assistants called okappiki, usually former criminals
drafted as informants and assistants. Because of their relatively low
standing in the strictly defined echelons of feudal Japanese society,
the doshin and their assistants would spare no effort to capture their
prisoners alive if at all possible. Especially when dealing with those
of higher rank, safety was a primary concern.
As a result, they developed highly sophisticated methods of tying
their adversaries to prevent escape. This art was often referred to as
hojo-jutsu. Certain patterns of binding were applied, based on the
social class and even the sex of the accused. Specific binding patterns
were developed for nobles, samurai, farmers, artisans, merchants, monks,
priests, and beggars.
Frequently, the binding had to be done quickly, often while the
victim was still struggling to escape. Thus, the correct application of
hojo-jutsu required a great deal of skill and practice. Special ropes
were used in hojo-jutsu, sometimes with hooks or loops tied on one end.
These were of various lengths, based on the particular ryu or style. The
ropes were usually made of hemp, although silk ropes were often used in
practice. Special short ropes were also used to tie together the fingers
and sometimes even the toes of suspects.
For the most part, samurai regarded the application of restraints as
beneath them. The doshin, therefore, would usually leave this task to
his non-samurai assistants. Although the citizens of Edo had few human
rights, restraining a person was still considered a very grave manner.
Tying someone up was never undertaken lightly since placing a rope
around a person's neck or knots around their body was considered
disgraceful. The shame and humiliation was often considered worse than
death itself, so if the proper forms of restraining suspects were not
followed, the person responsible could be called to account.
As the suspect was not a convicted criminal until brought to trial,
the doshin's assistants would often use a system of tying without
employing knots, thus avoiding the disgrace of bondage. In this case,
euphemisms such as "wrapping" were often employed. Their
special ropes would use either barbed hooks to catch in the victim's
clothing, or loops or metal rings for passing ropes through where they
could then be held firmly by one or more of the captors.
One of the
special ropes used for quickly binding a subject’s limbs was called a
torihimo, which translates as "arresting rope." A typical
torihimo consists of a six- to nine-foot cord tied or sewn roughly into
a figure eight, thus forming two connected loops.

A torihimo consists of a six- to nine-foot cord tied
or sewn roughly into a figure eight, thus forming two connected loops.
The torihimo loops can be of equal size or with one large and one
smaller loop, depending on personal preference. However, both loops
should be large enough to easily pass a hand through without
restriction. In some cases, the torihimo may also include a metal hook
attached to one of the loops. The hook was used to fasten the
restraining loop to a bound subject’s clothing.
Arai Hakuseki (1657-1725), chief counselor for the sixth shogun,
Tokugawa Ienobu, was a very learned man with a wide range of interests.
An author of many books, his autobiographical Oritaku Shiba no Ki
(Breaking and Burning Firewood) is best known for his portrait of
his father, Masanari. In the opening sections, he describes a childhood
incident involving a torihimo, which accidentally drops from his kimono.
It is particularly interesting
for the disdain his father reveals for the physical act of arresting and
restraining criminals. Like many of his contemporaries, he felt this was
beneath the dignity of a samurai. Arai Hakuseki recalls his father’s
advice as follows:
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When I was seventeen or
eighteen, I happened to drop in front of my father what was called an
"arresting cord," which was used to tie up a man and was made of
slender blue strings braided together, with a hook attached at its end,
and which I then had in my breast.
"What is this?" my
father said and picked it up. After a while he said, "When I still
held my former post, I used to carry one like this in my flint bag. That’s
because when there was someone who’d committed a crime, I would have my
subordinates arrest him. I carried one in case they happened not to have
one with them."
"After I was freed from
my post, it became useless, so I used it to tie a cat. As you know. I don’t
have to tell you that you must learn all the warrior’s skills. But there
are skills that you must practice according to your station, and there are
skills that you must not. This is not the kind of implement you should
carry with you. You are not so young as not to realize something as simple
as this."
The torihimo can be used in many different ways. The cord can be looped
around both wrists and stretched from one hand to the other. In this way,
the cord may be used to wrap around an opponent’s limbs or neck.

Wrap the loops around each wrist and stretch the cord
between both hands.
The second method is firmly grasp one loop of the torihimo in the hand,
then placing the other cord loop back over the same hand. The torihimo may
then be used like a snare by first capturing an opponent’s limb in the
hanging cord, then slipping the wrist back through the loop.
 
To form a simple snare, grasp one loop of the torihimo
in the hand, then place the other cord loop back over the same hand.
The third method is similar, in that two loops are formed by grasping
the torihimo in the middle and placing both end loops back over the same
hand. This forms two snare loops, which can be used to tie up an opponent’s
hands or feet.
 
To form two snares, grasp the torihimo in the middle and
place both loops back over the same hand to form two smaller snares.
Furthermore, the torihimo can also be combined with the yawara-bo,
either by tying one loop to the middle of the yawara-bo or by drilling a
hole in the yawara-bo and threading the torihimo cord through it. Looping
one end of the torihimo around the wrist and tying the other to the
yawara-bo, the cord allows the yawara-bo to be thrown and distract an
opponent. With the cord attached to the wrist, the yawara-bo is then
easily retrieved. The cord loop can also be used to ensnare a person’s
limb or weapon as well as to restrain an attacker after they had been
subdued. In this case, the yawara-bo is used as both an impact weapon and
to add leverage when ensnaring the attacker with the torihimo loops.

A yawara-bo can be combined with a torihimo by threading
the cord through a drilled hole or by tying it to one end, thus making a
very effective weapon and restraining combination.
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