Samurai era justice
The weapons, tactics, and techniques
used to keep the peace in feudal Japan
The
Edo period in Japan witnessed the iron-fisted rule of some of history�s
most infamous shoguns, beginning with Tokugawa Ieyasu. In his
remarkable campaign to take control of Japan, Ieyasu instigated harsh new
laws that forced the daimyo (feudal lords) to live part-time in
Edo, restricting their movement and draining their coffers, which ensured
that they could pose no threat of insurrection. Ieyasu also imposed severe
limitations on the weapons available to the chonin (commoners),
effectively preventing them from starting uprisings of their own. In order
to enforce the new laws and to maintain order among the growing population
of Edo (now Tokyo), the Tokugawa shogunate employed a large number
law enforcement officials�from the noble-caste samurai warriors
to the criminals-turned spies known as okappiki, and everyone in
between.
In
this fascinating story of samurai-era �police procedure,� Don
Cunningham paints a colorful picture of life during the oppressive Edo
period, and the measures taken (and weapons used) to uphold the law. With
illustrations, historical photographs and reproductions of paintings of
the era, Taiho-Jutsu: Law and Order in the Age of the Samurai
provides the reader with the most complete and accurate impression of law
enforcement and the �arresting arts� during the samurai era.
In Taiho-Jutsu: Law and Order in the Age of the
Samurai, author and judo second-dan Don Cunningham provides a
fascinating introduction to the civil society of Edo-period (1603- 1867)
Japan�particularly the role played by the well-known warrior class, the
samurai.
During the enforced peace of this era, many of the
samurai were unemployed and had great difficulty earning a living. Some
were even forced to join the lower classes of merchants and chonin
(commoners) to get by. These circumstances redefined the part that the
samurai played in Japanese society, and challenged the traditional caste
system.
Cunningham shows that the samurai were not, as
commonly portrayed, always all-powerful mediators ruling the chonin
through the power of their swords. During this period the samurai became a
part of the complex system of Japanese law enforcement. Made up of samurai
as well as machi-bugyo-sho (town magistrates), yoriki
(�assistant� samurai), doshin (samurai patrol officers), komono
(assistants), goyokiki (part-time police assistants), and okappiki
(informants and spies)�this intricate structure mirrored the Japanese
society of the day.
Taiho-Jutsu
also offers a detailed look at the weapons these law enforcement officers
used including the jutte (iron truncheon), tessen (iron
fan), yori-bo (wooden staff), sodegarami (sleeve entangler),
sasumata (spear fork), and torinawa (arresting ropes), as
well as a fascinating illustrated look at the techniques used to apprehend
criminals. From kamae (stances) to parrying and striking and
throwing techniques, these explanations demonstrate the practical
applications of self-defense techniques in Edo-era Japan.
About
the author
Don Cunningham has devoted over thirty years of his
life to the study and practice of both contemporary and ancient martial
arts, holding advanced ranks in judo, jujutsu, and kendo, and contributing
regularly to a variety of martial arts publications. While studying the
ancient art of kendo (fencing with bamboo swords) on one of his frequent
visits to Japan, Cunningham became interested in samurai swords and the
samurai culture. This passion led him to research the Edo period, and he
soon learned a great deal about the weaponry and the culture of feudal
Japan.
Taiho-Jutsu: Law and Order in the Age of the Samurai is
Cunningham�s second book for Tuttle after Secret Weapons of Jujutsu,
2002.
Book Reviews
The
Leader-Telegram
A
daily newspaper based in Eau Claire, WI, The Leader-Telegram
published a feature article on Don Cunningham and his book,
Taiho-Jutsu: Law and Order in the Age of the Samurai, on Thursday,
Jan. 12, 2006. Click on the photograph on the right to view the entire
article, "Author lays down the law on historical Japanese weapons" by
Pamela Powers, Menomonie News Bureau, in Adobe PDF format.
The Asian Reporter
by Mike Street
Special to the Asian Reporter
During the Edo period in Japan, strict regulations governed the lives
of the peasantry, including the outlawing of wheeled vehicles (useful to
move anti-government troops) and international travel (to avoid
collusion with foreigners). As part of this program to pacify the
countryside and maintain order, the Tokugawa shogunate also instituted
strict social reforms that divided Japanese society into four groups:
warrior (samurai), farmer, craftsman, and merchant. Only the
samurai were permitted to carry swords above a certain length, or to
carry more than one weapon; members of the other classes were restricted
to short swords and daggers.
In this way the shogunate hoped to keep its peasants separated from
the instruments of disorder and rebellion, and the system was largely
effective, unifying the country after years of civil war. When
sword-wielding miscreants did flaunt the laws, Edo-period justice
demanded capturing them without killing them. In response to this, the
Japanese developed passive-control weapons and techniques for their
police force in a new martial arts style called taiho-jutsu
("arresting arts").
In his new book Taiho-Jutsu: Law and Order in the Age of the
Samurai, author Don Cunningham describes in detail these weapons and
techniques, as well as the reasons behind the institution of these
social reforms. What emerges is a picture of Edo society seen through
the lens of law enforcement, a perspective that will benefit historians
and martial artists interested in samurai-era justice, as well as modern
readers who encounter daily the delicate balance between liberty and
safety.
Cunningham spends the first several chapters outlining the Tokugawa
shogunate�s rise to power and its far-reaching legislation, and how
these changes affected the lives of everyday citizens. In a dry,
academic style, he writes with great authority about everything from
firefighting equipment and traditions to the physical and social makeup
of large Japanese cities. His informative explanations provide a
framework for the martial arts explications of the later chapters,
allowing us to understand the reasons for the use of non-lethal force,
as well as the finer points of its application.
Justice in this period typically required a confession from the
criminal before establishment of guilt and sentencing, which could range
from crime-specific tattoos to banishment or death. Although punishment
was swift and severe, capture and confession of criminals was important
to maintaining the respect for authority so deeply ingrained in the
peasantry. The strict division of classes during this time, requiring
policemen occasionally to arrest citizens of a higher class, gave
further importance to the use of non-lethal force.
Japanese martial-arts techniques follow a variety of schools, differentiated
by styles of fighting or weaponry used, and taiho-jutsu was developed to
respond to the unique demands of Edo-period policing. Arising from the
schools of jujitsu (unarmed fighting) and kenjutsu (sword
fighting), taiho-jutsu incorporated several types of weapons unique to this
discipline. Most prevalent was the jutte, a kind of metal truncheon
that could be used either to parry or break swords, or as a blunt weapon for
dealing non-lethal blows; carrying a jutte became a kind of badge among
policemen throughout the Edo period.
For more dangerous situations, policemen might also employ one of the
torimono
sandogu ("three tools of arresting"), long pole-arm weapons
used to hold criminals from a safe distance, where another officer could
subdue or disarm them. The barbed sodegarami ("sleeve
entangler"), U-shaped sasumata ("spear fork"), or
T-shaped tsukubo ("push pole") were used to move, trip, or
immobilize a suspect from a safe distance. Once subdued, the criminal would
be tied with one of a wide variety of binding styles (hojo-jutsu, or
"restraining arts"), in accordance with the prisoner�s social
class, because of the great shame associated with being publicly bound.
Cunningham describes the origin and use of several other police weapons,
but only the jutte is included in his final four chapters on taiho-jutsu
techniques. While not intended to be a comprehensive explanation of all
the exercises used in this class of martial arts, his diagrams and
explanations give the reader a very good idea of how a suspect might have
been apprehended in the Edo period. Many of these techniques are still used
by Japanese policemen today, and would be worthwhile study for anyone
interested in learning self-defense with a blunt weapon.
The intention of Cunningham�s book, however, is not entirely as an
instructional manual, but also as a scholarly exploration of the use of the
police force in this era of Japanese history. He strikes a good balance
between context and detail, giving us a full portrait of both Edo-period
society and the role of law enforcement within that carefully regimented
culture. The book has special resonance in an era when police forces from
Portland to Prague search for non-lethal methods of subduing suspects,
giving it an interesting (if unintended) subtext about the lengths to which
governments have gone to prevent harming suspected criminals. Although
hardly a light read for the casual samurai enthusiast or kung fu fanatic, Taiho-Jutsu
is an excellent reference for scholars or martial artists exploring this
fascinating time in feudal Japan.
Book News, Inc.
Cunningham, a true amateur in the sense of being inspired by a love for his
topic, became interested in samurai swords and culture while studying
martial arts in Japan. His overview of the civil society of the Edo period
of 1603-1867 takes a particular look at the role played by samurai--the
warrior class, whose members had a difficult time earning a living during
the era's enforced peace. Many became part of the complex system of Japanese
law enforcement; Cunningham focuses on the weapons used by its officers and
the techniques they used to catch criminals. The work is plentifully
illustrated with the author's b&w photos as well as many sketches of
defensive, offensive, and arrest and restraint techniques.
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