| The following article was
originally published in the Friday, Feb. 6, 2003, issue of The
Chicago Shimpo: The Chicago Japanese American News.
by Don Cunningham
One of the first things a visitor to Japan
notices is the apparent differences between Western and Asian cultural
behavior and attitudes. Japanese drivers ride on the left side of the
road. Japanese women present delightfully decorative chocolate treats to
men on Valentine's Day. There are simply far too many dissimilarities
between our respective modern societies to list in a few paragraphs. The
dissimilarities increase dramatically when comparing lifestyles from the
perspectives of different time periods.
My undergraduate students often seem to focus
their attention on the often rather unusual aspects of Edo period
lifestyles. For myself, I am a die-hard fan of chambara, a
popular genre of both Japanese television and film more properly
referred to as jidai-geki (historical or period dramas). The
customs of Edo's early residents depicted in these entertaining episodes
frequently seem rather exotic, maybe even a bit bizarre, in contrast to
my normal, everyday routines and modern-day Western style conventions.
The fascination of any historical study for me,
though, is frequently not found so much in learning about the
incongruities of the period under examination, but in appreciating that
many aspects of human behavior are apparently unaffected by the
calendar. This realization that we share many common human values with
our ancestors is a real cultural treasure worth finding.
While in Japan last year to do some research, I
had an opportunity to interview Nawa Yumio, the current headmaster of Masaki-ryū
Manrikigusari-jutsu and Edo Machikata Jutte-jutsu and a
well-known author of several books regarding Japan's feudal era. The
92-year-old former teacher still often serves as a technical consultant
for various movies and television dramas set in the Edo period. During a
pleasant afternoon in his Tokyo apartment, he openly shared many of his
personal insights on this historical era.
One area of particular interest to me was the
establishment and responsibilities of early firefighting units in the
capital city of Japan. Most buildings were constructed of wood and paper
and there were many fires. In fact, fires were so common, they were
known as Edo no hana (flowers of Edo). After more than 100,000
perished (nearly one-quarter of the city's population) in the Meireki
fire in 1657, government administrators engaged townsmen as firemen and
organized them into local units. The work was so dangerous, though, only
the lowest classes of Edo’s population—the homeless, the unemployed,
former criminals, and so on—were willing to become firefighters.
Their firefighting techniques were primitive by
today's standards. Whenever a fire broke out, the firemen, known as hikeshi,
were mainly concerned with containing the damage and preventing the
flames from spreading. The hikeshi, many of them experienced in
the construction trades, would quickly tear down a burning structure and
any surrounding houses or buildings to create firebreaks.
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Within their ranks were several other specialist
positions. The firefighting unit members also included matoi-mochi
(banner holders), hashigo-mochi (ladder holders), and hira
(runners and porters) for carrying equipment. Helpers known as gaen
cleared roads, dispersed crowds, and held back bystanders.
At one point, I asked Nawa sensei about the matoi,
a sort of firefighting unit's standard or flag still often featured today
in festival parades. Frequently seen leading street processions, the matoi
consists of many strips of either very thick paper or soft cloth strung
from a single pole. I had heard the matoi was more than just a unit
banner and was somehow employed in fighting fires.
Nawa sensei explained how the firemen would use a
hand-operated pump to soak the matoi strips with water, then
station themselves on peaks of nearby buildings or frequently even on the
rooftop of the burning structure. The banner holders would then spin the matoi
by twisting the pole back and forth. Burning embers rising in the heated
air would either be trapped in the matoi and extinguished by the
water-drenched strips or be pushed back to the source by the gusts created
by the spinning strips.
Standby banner holders would line up on the roof
peak behind the one turning the matoi. Should he succumb to smoke
inhalation or heat from the fire below, the next in line would replace
him. As each individual banner holder collapsed and fell from the roof,
another would assume responsibility for spinning the matoi until
the firemen working below extinguished the fire.
As he described the responsibilities of these
feudal-era firemen, I was struck by how their dedication to duty and
self-sacrifice paralleled the same traits so vividly demonstrated by the
New York City police and firefighters in the aftermath of the terrorist
attack on the twin towers of the World Trade Center. Like their Edo-period
counterparts, they had bravely rushed into harm’s way to assist the
innocent victims, many of them sacrificing their own lives in their
valiant efforts.
It is good to respect and to cherish our personal
cultural differences. The diversity of Japanese and Western cultures is
minor, though, when compared with the disparity between our modern world
and life during the Edo period.
Yet
this simple story about feudal-era firemen and their willingness to
sacrifice themselves to serve their own community demonstrates that we all
still share many basic human traits, both good and bad. Despite our vast
cultural differences, human nature apparently has more in common than not.
Fortunately for us, many qualities of the human spirit are essentially the
same despite the diversity of our cultures.
A part-time university lecturer and full-time graduate
student, Don Cunningham has written two books on Edo period history. Both
by Charles Tuttle Publishing, the first, Secret Weapons of Jujutsu,
is currently in print and the second, Taiho-Jutsu: Law and order in
feudal Japan, is scheduled to be released early next year. |